Between Here and the City of Mexico
By Tony Meneses
Directed by Tony Speciale
Featuring Frankie J. Alvarez (HBO’s “Looking”), Danaya Esperanza (Men on Boats, Our Lady of Kibeho), Diana Gonzalez-Morett (Intersections), Zabryna Guevara (Fox TV’s Gotham; Water by the Spoonful, Second Stage), Jeffrey Omura (These Seven Sicknesses; EPBB; Carnival Kids, Lesser America) and Ramon O. Torres (Hello Again, Getting Go the Go doc Project)
It’s 1968, and as a wave of student protest washes over Mexico City, a girl journeys into the ever-shifting capital to find a path to call her own. Between Here and the City of Mexico is a beguiling, sweeping ode to a city flush with the promise of revolution, and to the times in life when everything seems possible.
108 E 15th Street
Carlo at the Wedding
By Bryna Turner
Directed by Jenna Worsham
Featuring Cassie Beck (The Humans; Picnic, Broadway), Eboni Booth (Daredevil), Leale DeVerges (Club), Andrew Garman (Salome, Broadway; The Christians), Eve Lindley (Outsiders, Mr. Robot) and Kelly McAndrew (Cat on a Hot Tin Roof, Broadway; Orange is the New Black)
Carlo is going to be really well behaved today. She’s not going to get drunk. She’s not going to give any longwinded speeches. And she’s definitely not going to try to steal the bride back. Inspired by Dorothy Baker’s Cassandra at the Wedding.
By Chisa Hutchinson
Directed by Jade King Carroll
Featuring Ryan King (Eurydice, Second Stage Theatre; Defiance, Manhattan Theatre Club), Nedra McClyde (Marvin’s Room, Broadway; Jessica Jones), Celestine Rae (Boardwalk Empire, Law & Order SVU), and Michael Tisdale (Straight White Men, Venus in Fur)
The Subject focuses on an upstart documentarian who builds his success on the death of one of his subjects and faces the consequences.
By Michael Weller
Directed by Austin Pendleton
Featuring Rebekah Brockman, Amy Crossman,Wayne Duvall, Lauriel Friedman, Annie Henk, Alex Hernandez, Darlene Hope, Joshua Everett Johnson, Andy Lucien, Austin Pendleton and Kristin Villanueva
Jericho is an adaptation of Ferenc Molnár’s 1909 masterpiece Liliom, which was an international sensation and subsequently produced on Broadway in 1921. In 1939, Orson Welles performed the title role and directed a radio adaptation co-starring Helen Hayes and Agnes Moorehead. In 1940, a second American stage revival was produced in New York City, starring Burgess Meredith, Ingrid Bergman and Elia Kazan. Originally set in Budapest, the story centers around a cocky and charismatic carousel barker. Most famously, Molnár’s Liliom served as the inspiration for the Rodgers and Hammerstein musical Carousel, which moved the narrative out of Budapest and into Maine during the end of the 19th century. Jericho is Michael Weller’s attempt to locate Molnár’s story more accurately in an American time and place – depression era Coney Island – and to confront the notion of love expressed as violence.
Tall Skinny Cruel Cruel Boys
By Caroline V. McGraw
Directed by Danya Taymor
Featuring Owen Campbell, Quincy Dunn-Baker, Cleo Gray, Elise Kibler, Nate Miller, Kristin Villanueva and Zoe Winters
Brandy is the city’s most sought-after birthday party clown who has never let her drinking, gambling, and bed-hopping interfere with her work—until now. Her teenage boyfriend won’t stop calling, her clients are getting needy…and the monster under her bed is growing restless. Weaving fantasy and clowning with brutal reality, TALL SKINNY CRUEL CRUEL BOYS asks…what is the price of growing up?
The Life of George Washington
By Charles Mee
Directed by Leon Ingulsrud
Featuring Gisela Chípe, Lanxing Fu, G.M. Gianino, Nike Kadri, Lucy Martin, Anson Mount, Larry Powell & Preeti Vasudevan
A backyard barbecue with George Washington, Walt Whitman, Jack Kerouac, Allen Ginsberg, Aunt Eller, Curly, Bambi, and some guys dancing with rifles and some bloggers—because: how it is, always, when you check into the old folks’ home, or you go to your deathbed, you think you’re finished, but you’re not. And George Washington: he lives on in all of us.
A ghost light is an electric light that is left energized on stage when a theater is unoccupied and would otherwise be completely dark. This new series aims to maximize usage of the two theaters onsite at Abingdon, the 98-seat June Havoc and the 56-seat Dorothy Strelsin, and to energize the momentum of a new work.
With an eye towards production-ready scripts, The Ghostlight Reading Series provides an opportunity for writers, directors and collaborators to share the work with an audience before transitioning into production. By focusing on scripts that reflect our social, political, historical and cultural diversity, Abingdon aims to become a destination for artists grappling with big questions.